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SHAFT is a computer program used to evaluate the axial capacity and the short-term, load-settlement curves of drilled shafts (bored piles) and continuous flight auger (CFA) piles or auger-cast piles (ACIP) in various types of soils. In general, the majority of axial capacity methods used by SHAFT are based on the latest FHWA manuals. In addition, several other axial capacity methods are provided for clay shales, gravels, and gravelly sands.

SHAFT can analyze the axial capacity and settlement behavior of drilled-shafts and ACIP piles in several types of soil and rock models. SHAFT can accommodate any combination of soil and rock layers in a layered profile. The soils and rock models in SHAFT are the following:


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Showcasing the unfiltered highs and lows of daily life, entrepreneurship, and creative pursuits.

The demand for "sunshine" content is not merely a passing trend; it addresses a fundamental need for positive reinforcement in a digital age.

Gen Z and Gen Alpha audiences face unprecedented levels of screen time and digital anxiety. Sunshine entertainment acts as a form of digital escapism—not to ignore real-world issues, but to provide a necessary emotional refuge. Female creators excel at producing content that feels like a warm cup of tea or a conversation with a close friend, offering comfort in a chaotic world. 3. The Power of Radical Empathy

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In recent years, the "Sunshine Girls" feature has come under significant criticism. A major point of contention is that the Toronto Sun has, since the pandemic forced its photo studio to close, been reusing old photographs of former Sunshine Girls—some dating back as far as 2017—and republishing them repeatedly. Many of the women in these archived images have moved on to professional careers as real estate agents, teachers, and non-profit workers.

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This article explores the mechanics, psychology, and economic impact of why girls are producing and consuming "sunshine" media—content characterized by high brightness, emotional warmth, cooperative storytelling, and aesthetic vibrancy. Showcasing the unfiltered highs and lows of daily

Sunshine media is rarely a one-way broadcast. Creators actively engage with their audience through interactive polls, Q&A sessions, community forums, and live streams, turning viewers into active participants. 3. Cross-Platform Syndication

The concept of "sunshine" in media for girls isn't always about uplift and empowerment. A long-standing and deeply problematic example is the "Sunshine Girls" feature in the Toronto Sun newspaper. This daily pin-up series began in 1971 with the explicit purpose of publishing "pretty girls to brighten the pages". For decades, this segment has featured (primarily) young women in swimsuits or sultry poses, a tradition rooted in outdated objectification.

So, when we ask the question of , the answer is multifaceted. They do it with camera angles that chase the light. They do it with storylines that value a hug over a gunshot. They do it on TikTok, on Netflix, in podcasts, and in backyard video projects. Sunshine entertainment acts as a form of digital

For the young creator reading this who wants to contribute to this genre, here is the "Sunshine Content Manifesto."

The phrase "girls do sunshine entertainment and media content" represents a specific niche within the modern adult entertainment matrix. Historically, adult media was dominated by major production houses that controlled distribution networks, physical media sales, and later, premium subscription websites.

At its core, represents a thematic shift toward uplifting media content. It is less about a specific corporation and more about a movement—a genre that focuses on:

: Critics have argued the feature objectifies women, leading many papers to end the series.