Bestiality -bestialita- - Peter Skerl 1976 -vhs... Free -
Despite its highly controversial premise, the film featured a notable assembly of established Italian genre talent:
Directed by Peter Skerl and co-written by the prolific exploitation filmmaker George Eastman (known for Anthropophagus ).
The 1976 Italian exploitation thriller (alternatively released in English-speaking countries as Dog Lay Afternoon ) stands as one of the most provocative, elusive, and legally embattled artifacts of the Eurosleaze era. Directed by Peter Skerl —with co-direction or editing contributions from Virgilio Mattei—and written by the legendary Italian horror icon Luigi Montefiori (better known as George Eastman ), the film pushes the boundaries of 1970s transgressive cinema. Originally conceived as the first installment of a thematic trilogy that was never completed due to financial collapse, Bestialità has transitioned from a banned piece of counter-culture cinema into a highly sought-after holy grail for physical media collectors on VHS and DVD. 🎬 Narrative and Themes
As a young child, a girl named Jeanine witnesses her mother engaging in sexual acts with the family's Doberman pinscher. When her father discovers the betrayal, he reacts with horrific violence, chaining the animal and burning it alive.
Years later, the grown Jeanine (played by Leonora Fani) has become a beautiful but utterly traumatized nymphomaniac who lives with her own Doberman and seeks to seduce everyone she meets. The rest of the film follows Paul (Philippe March) and Yvette (Juliette Mayniel), a rich, restless Parisian couple who arrive on the island, unaware of its violent past. They soon become entangled in Jeanine's world of decadent, wealthy tourists, culminating in a final, brutal tragedy on the beach. Bestiality -Bestialita- - Peter Skerl 1976 -Vhs...
The modern rights movement is heavily influenced by Peter Singer’s 1975 book Animal Liberation (though Singer is technically a utilitarian , not a rights theorist) and Tom Regan’s 1983 book The Case for Animal Rights .
Throughout the 1990s, the title circulated via underground tape-trading networks. These copies were frequently multi-generation dubs featuring low-resolution video, washed-out Technicolor palettes, and baked-in foreign subtitles.
Unearthing a Relic of Italian Eurosleaze: Bestialità (1976) by Peter Skerl
Films like "Bestiality - Bestialita" often occupy a complex position within cultural discourse, challenging boundaries of what is considered acceptable or discussable. The exploration of bestiality in media frequently raises questions about consent, the ethics of sexual behavior, and societal norms. Despite its highly controversial premise, the film featured
is the floor. It is the emergency brake. It says: stop the worst abuses immediately. Ban gestation crates. End cosmetic testing. Outlaw rodeo spectacles that electrocute animals for sport.
for "immoral acts". This legal heat, combined with its graphic content, meant the film vanished from public view for decades, often spoken about only in hushed tones by collectors of rare VHS tapes. The Story: Trauma on a Mediterranean Island
The production was handled by Ugo Valenti's company I.P.R.A. Produzione, with cinematography by Giuseppe Berardini and a musical score by Coriolano Gori.
This guide covers (also known as Bestiality or Dog Lay Afternoon ), a 1976 Italian erotica-thriller directed by Peter Skerl . The film is a notorious example of "Eurosleaze" and remains a cult curiosity due to its provocative themes and cast. Core Film Details Director: Peter Skerl Release Date: November 16, 1976 (Italy) Originally conceived as the first installment of a
Skerl intended Bestialità to be part of a thematic trilogy, though financial ruin ultimately halted the subsequent projects.
: Ensure the tape is roughly 85–90 minutes . Heavily censored versions may be significantly shorter.
She stared at the columns for an hour. Then she drew a line through the middle of the page.
Maya never got to see 2479 again. The sow had been slaughtered her second week on the job. But she thought of her often: the turn of the head, the blink, the scream.
Despite its low-budget exploitation framing, the film boasted a notable cast of Italian genre staples, including Leonora Fani, Philippe March, Juliette Mayniel, and an early appearance by Ilona Staller (who later achieved global fame as the adult film star and politician "Cicciolina"). Plot Outline and Themes