Chu Que Wu Shan 2007 Updated Jun 2026

The mid-2000s marked a complex era for independent filmmaking in mainland China. While commercial cinema was leaning heavily into historical epics and blockbusters, a quiet counter-movement of indie filmmakers sought to capture the shifting emotional landscapes of urban China.

The narrative of Chu Que Wu Shan centers on the intertwined lives of two main characters:

If you have seen the 2007 film, you know why the water of the world tastes bland afterwards. If you haven't, tread carefully; once you cross that bridge in the botanical garden, you cannot return to the way you understood Chinese romance before.

Since its release, "Chu Que Wu Shan 2007" has become a beloved classic among fans of Chinese martial arts cinema. The film's influence can be seen in a range of subsequent movies and TV shows, with its innovative action sequences and complex characters setting a new standard for the genre. chu que wu shan 2007

A young woman whose life becomes intertwined with Liu Yin's.

From the moment it went into production, Chu Que Wu Shan generated significant media buzz, largely due to its controversial subject matter. The marketing campaign framed the film as China's answer to Ang Lee's Brokeback Mountain (2005), which had won three Academy Awards and had brought same-sex love stories into the global mainstream. The production team made bold promises that the film would be submitted to the "Big Three" international film festivals (Cannes, Berlin, Venice), as well as the Tokyo International Film Festival.

In the landscape of Chinese cinema, there are films that never see the light of day, their stories whispered about in forums and lost media archives. One such film is Chu Que Wu Shan (除却巫山), a 2007 Chinese lesbian-themed drama directed by Zhong Qiang (钟强), starring Peng Dan (彭丹) and Deng Jiajia (邓家佳) as the leading roles. Despite its ambitious aim to compete at the Cannes Film Festival and be compared to the internationally acclaimed Brokeback Mountain , this film was never officially released in any region—making it one of China's most intriguing pieces of lost cinema. The mid-2000s marked a complex era for independent

While the film is beloved by many for its atmospheric cinematography (the verdant greens of the garden contrasting with the pale skin of the actresses), it is not without its critics. Upon searching "Chu Que Wu Shan 2007," you will find split opinions.

The phrase "chu que wu shan" is derived from a world-famous classical Chinese poem by Yuan Zhen (元稹), titled . The full couplet is:

The movie represents an ambitious effort within Chinese indie cinema to tackle LGBTQ+ themes during the mid-2000s, a period marked by shifting social dynamics and strict institutional oversight. If you haven't, tread carefully; once you cross

. The title draws inspiration from a famous line in Tang Dynasty poetry:

Numerous theories and rumors circulate online regarding its fate: