In the music industry, Japanese physical editions are famous for including exclusive tracks to incentivize local consumers to purchase domestic pressings rather than cheaper western imports. Lana Del Rey's catalog followed this tradition closely. The physical Japanese CD pressing tacked on a rare, haunting alternative rock ballad titled "Flipside."
Following the massive success of her 2012 debut album Born to Die , Lana Del Rey pivoted away from polished hip-hop beats toward a darker, grittier sound. She partnered with producer of The Black Keys to record the album at Easy Eye Sound in Nashville, Tennessee.
When Lana Del Rey released her third studio album, Ultraviolence , in June 2014, it marked a significant stylistic shift from the pop-heavy Born to Die . Produced largely by Dan Auerbach of The Black Keys, the album embraced a hazy, psychedelic rock sound, heavily infused with blues and nostalgia. While the international release was hailed as a moody masterpiece, it was the that became the holy grail for collectors and die-hard fans.
While the standard Ultraviolence is revered as Lana Del Rey’s psychedelic, fuzz-soaked masterpiece—her sharp left turn from the cinematic hip-hop of Born to Die into a smoky, guitar-heavy 1970s Laurel Canyon noir—the serves as the definitive digital artifact for collectors and completists. Lana Del Rey Ultraviolence -Japan Edition- -iTu...
The song “Flipside” holds a particularly mysterious place in Del Rey‘s discography. On the Internet Archive, the file description for the song explicitly states: “From the album Ultraviolence (Deluxe) - Japanese Edition . This song was and still is only available on Spotify for people who are from Japan...”. This technical geo-locking meant that for years, Western fans had to rely on imported CDs or complex VPN workarounds to hear the track legally.
The Japan Edition also includes several additional tracks and remixes, including:
As is common in the music industry, Japan often receives special editions of major Western albums due to the higher price point of CDs in the Japanese market, which incentivizes retailers to add value to discourage imports. For Ultraviolence , the Japanese release was not just a repackaging of the standard tracks; it was arguably the most complete physical representation of the album‘s era. In the music industry, Japanese physical editions are
When Ultraviolence launched digitally on iTunes Japan, Universal Music Group followed this tradition, creating a sprawling, comprehensive version of the album. The Ultimate Tracklist Expansion
Since the mid-2010s, the Japan Edition has become version to hunt down. Flipside remained region-locked to Japanese digital stores for nearly five years, forcing fans to rip low-quality YouTube audio or pay premium import prices ($30–50 for the SHM-CD). When Lana finally released Flipside on Western streaming services as part of Ultraviolence (Deluxe) in the late 2010s, the mystique slightly faded—but owning the original iTunes metadata (with the correct 2014 release date and Japanese retailer tags) remains a point of pride for digital archivists.
If you want to dive deeper into Lana's discography,digital masters , or analyze the . Share public link She partnered with producer of The Black Keys
Furthermore, the inclusion of "Flipside" and "Is This Happiness" is non-negotiable for completionists. These tracks re-contextualize the album. Without "Flipside," the album ends on the nihilistic "The Other Woman." With it, there is a final, desperate attempt at moving on.
The Japanese Deluxe Version includes all 14 tracks from the standard and international deluxe editions, plus two final, essential songs. This version runs an impressive 51 minutes and 24 seconds, though some sources note the bonus tracks bring the total to over 70 minutes.
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