“This One Still Works” by waneella.
Pixaki is the best pixel art app for iPad. It packs a whole load of features into a clean, modern interface, and it works great with Apple Pencil. So now you can make game sprites on the couch, animated backgrounds on your commute, or music videos in the park.
was awarded $6.1 million in a lawsuit against McDonald's for negligence.
Louise Ogborn McDonald’s incident was a criminal case involving a hoax caller who manipulated employees into performing a strip search and sexual assault at a Mount Washington, Kentucky, restaurant in 2004. The surveillance footage of this event is sensitive evidence of a sexual assault
The trail led police to a Panama City Walmart in Florida. Surveillance video showed a uniformed prison guard purchasing prepaid calling cards. That man was , a married father of five who had even volunteered as a deputy. Stewart was extradited to Kentucky and charged with impersonating a police officer and soliciting sodomy, facing up to 15 years in prison.
Instead of hanging up or calling her actual boss, Donna Summers followed every order. The caller instructed her to lock Ogborn in the back office, take her car keys and clothes, and conduct a strip search. Ogborn recalled later that she begged to be taken to the police station because she was innocent, but her requests were ignored.
The video footage from that office has been used in police training, courtrooms, and true crime documentaries like Netflix’s Don't Pick Up the Phone . While CCTV footage does exist, any truly "uncensored" view is strictly controlled for privacy reasons. However, the clip that often circulates online is the , which shows the visible distress and nudity of Louise Ogborn. was awarded $6
The surveillance video captured the events in the manager's office and was later used as key evidence in both criminal and civil trials. Legal Outcomes
The incident was captured on the store’s internal surveillance system. While the "full clip" is often sought out by those following true crime cases, the footage is a grim record of a crime, not entertainment. It serves as the primary evidence that eventually brought the perpetrators to justice. The "officer" on the phone was eventually identified as David Stewart, a prison guard from Florida, who was suspected of making dozens of similar calls to fast-food restaurants across the country.
: The caller utilized specific police jargon, fake badge numbers, and an authoritative tone to bypass the managers' critical thinking.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Instead of hanging up or calling her actual
On April 9, 2004, 18-year-old was working a shift at a McDonald’s franchise. A caller contacted the store claiming to be "Officer Scott," a local police officer. The caller falsely told the assistant manager, Donna Summers , that Ogborn had stolen a purse from a customer.
The 2004 incident involving Louise Ogborn at a Mount Washington, Kentucky, McDonald's was a major case of a . Incident Details
Because the footage depicts the severe sexual assault and exploitation of a teenager, unedited or "uncensored" versions of the full clip are legally restricted, highly suppressed, and unavailable on mainstream platforms to protect the victim's privacy and prevent the distribution of explicit material.
For the next three and a half hours, the situation escalated into a nightmare of psychological manipulation. Believing the caller was genuine, Summers led Louise to a small back office and ordered her to remove each item of clothing until she was naked. Summers placed the clothes in a bag and even took Louise's car keys, effectively preventing her from leaving. The entire incident was captured on the store's CCTV. As the evening got busier, Summers, following the caller’s instructions, called her fiancé, Walter Nix Jr., to continue "watching" Louise. Walter Nix Jr.
: The situation escalated when Summers' fiancé, Walter Nix Jr., was brought in to assist. At the caller's direction, Nix forced Ogborn to perform sexual acts, which were captured on the store's surveillance system.
On April 9, 2004, a man calling himself "Officer Scott" contacted the Mount Washington McDonald's. He falsely claimed to be a police detective investigating a theft.
Louise Ogborn's journey through lifestyle and entertainment has been marked by both intrigue and controversy. As a public figure, her actions and choices have sparked discussion and curiosity. This text aims to provide a neutral overview of her interests and pursuits.
Layers are now shared across the whole project, which means every layer has its own timeline. You can add as many layers and frames as your iPad can handle.
“Undertone” by waneella.
Use for background and foreground elements that are the same on every frame.
Composite layers using 18 different blend modes to create colour effects and adjustments.
Group and name layers. Use drag and drop to reorder layers and frames.
Preview your animations by sliding the timeline to see the canvas update instantly.
Preview up to ten frames, and choose from three different colour tint modes.
Select multiple layers or frames at once to quickly make bulk adjustments.
Pixaki’s reference layers allow you to import any image from your photo library or Files at full resolution, resize and reposition it on the canvas, then draw pixels over the top. You can have as many reference layers per project as you like. Adjust the opacity to draw underneath the image if you prefer.
“Yeti House” by Genuine Human Art.
Whether you’re working with a palette of 16 colours or 16 million, Pixaki gives you everything you need to pick and modify the colours for your art.
The colour panel has four different modes for chosing the exact colour your want: a square picker with an infinitely scrolling hue slider, sliders for HSB and RGB, hex code input, and the project palette.
“Distorted” by waneella.
Sample any colour from the canvas, optionally including reference images.
Quickly fill large areas of the same colour. The fill can be contiguous or discontiguous.
Change all instances of any colour on the current cel, layer, or the whole project.
Selection is vastly improved in Pixaki 4, with new powerful tools and capabilities that rival any other image editor.
“Kiki & Jiji” by Chelsea Faust.
Works as both a lasso and a polygonal lasso, allowing you to select any shape possible.
Use to select rectangluar areas. It’s simple, but sometimes simple is best.
Quickly selection regions of the same colour, either contiguous or discontiguous.
You can add and subtract selections, as well as scale, stretch, and reposition them.
Keep the selection active, and all painting will be masked to the selected area.
Cut or copy the selected pixels and paste them to any app that supports pasting images.
Move and manipulate anything on your canvas; selected pixels, pasted images, or the whole layer.
“Skesis Castle” by rachels_ham.
Move without needing to select. Position the image on or off the canvas without clipping.
Scale from the corners to keep the aspect ratio, or from the sides to squash and stretch.
Rotate by any angle or in 90º increments, and flip horizontally and vertically.
Whether you want to add finishing touches in After Effects, or continue working on your Photoshop projects on the move, Pixaki plays really well with other software. You can also use magnification when sharing to social media without the results looking blurry.
Export the current frame or all frames as individual images. Import just about any image.
Export your animation as a GIF or animated PNG. Importing GIFs is also supported.
Output your animation as a QuickTime movie with a range of codec options.
Perfect for use in your game, with a configurable number of columns.
Move between Pixaki and the popular desktop pixel art app, maintaining layers and cels.*
Import and export layered PSDs. The layers for each frame are put into groups.
Pixaki takes full advantage of iPad hardware and software to deliver something fast, powerful, and intuitive that feels at home on your iPad.
Full support lets you store your projects in the cloud and even collaborate with others.
Create canvases up to 2 megapixels, meaning you can work in full HD 1080p.
All the heavy lifting is done with the full power of the iPad’s graphics cores using Metal.
Manage your projects from the Files app and open them in Pixaki with a single tap.
Split view multitasking support is great for viewing tutorials and references while creating.
The most natural way to draw pixel art. Supports double tap gestures on the Apple Pencil 2.
Hi, I’m Luke and I’m the solo developer behind Pixaki. If you need any help with the app, if you come across bugs, or if you have any feature suggestions, please get in touch — I aim to respond within a couple of working days or sooner.
If you’ve made something cool in Pixaki or just want to chat about pixel art, I’d also love to hear from you.
Mention or message @pixaki@mastodon.social for support or to show off your art. Follow for inspiration.
Pixaki comes in two versions; Intro, which is completely free, and Pro.
Great for anyone starting out with pixel art. Completely free with no time limits or ads.
3 layers, plus 1 reference layer.
8 frames of animation.
160 × 160 px maximum canvas size.
Basic import and export formats.
Perfect for professional artists and game creators. Create pixel art without restrictions.
Unlimited layers and references.
Unlimited animation frames.
Up to 2 megapixel canvas size.
Advanced import and export, including Aseprite* and Photoshop PSD.
Sign up to the Pixaki newletter to receive very infrequent emails about new features and app releases.
All of the example artwork was created primarily in Pixaki, but some artists use additional software in their workflow to produce results that were then imported back into Pixaki.
⁽*⁾ Aseprite import and export is only available on iPadOS 13 or newer.
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